02 About me
Real-time visual effects, new ideas, and the details that make a world feel alive.
// PROFILE
I’m a real-time VFX artist based in Stockholm, Sweden.
I enjoy building effects that feel clear, responsive, and connected to the world around them. I’m always curious about how things work, from the first idea and reference gathering to the final in-engine result.
Outside of making effects, I like exploring visual references, learning new tools, and finding inspiration in games, film, and the world around me.
// PERSONAL NOTES
Usually music or a gaming podcast. If it’s music, then it’s often video game soundtracks or K-pop, which keeps my energy up. Gaming podcasts are great when I want something engaging but not too distracting. It helps me stay connected to the industry while I work.
Japan! I really hope I have the opportunity to visit one day. I’m especially drawn to Kyoto!
Iced, always. I just really enjoy cold beverages—there’s something super refreshing about an iced caffe latte, even when it’s cold outside.
It’s tough to pick just one, but Final Fantasy XVI, Punishing Gray Raven and Lost Ark are packed with stunning effects. The sheer scale and detail of the VFX in those games are incredible—every spell and ability feels powerful and visually satisfying.
Definitely a water effect. Something calm and fluid, with a natural rhythm to it. Maybe like gentle waves or a soft stream. I tend to be pretty laid-back and adaptable, more on the tranquil side than explosive—so definitely not something like a chaotic fireball or lightning strike.
Immersive sims, hands down. I’d love to see more games that let players approach challenges in creative, systems-driven ways. There’s something really special about that kind of freedom, it sparks curiosity and replayability like nothing else.
Single-player action games, JRPGs, and co-op games are my go-tos. I love strong narratives and expressive gameplay, but I’m pretty multifaceted and enjoy a bit of everything—from PvP card games to rogue-likes. If it has heart or a cool twist on gameplay, I’m probably into it.
// EDUCATION
University education
Four years of university education, with a continuing focus on developing my craft and exploring new ways to create real-time effects.
// EDUCATION LOG
| No. | Image | Name | Education Type | Location | Link |
|---|---|---|---|---|---|
| 01 | .png.webp) | Computer Science & Video Game Development [4 Years] Specialized in game VFX, combining technical art and real-time rendering with game-development fundamentals to create effects for interactive worlds. | University | Stockholm University | VIEW ↗ |
| 02 | .jpg) | Ablaze VFX Course Built a structured real-time VFX workflow in Unreal Engine 5, developing effects inside an organized project with the course’s production assets. | Course | P2 Design Academy | VIEW ↗ |
| 03 |  | Real Time VFX by Kisong Lee (Prev @Smilegate working on Lost Ark) Studied how color, form, timing, and motion shape player-facing effects, applying those principles to Niagara particles, materials, and skill-effect examples. | Course | Coloso [Global] | VIEW ↗ |
| 04 |  | 언리얼 나아아가라와 시퀀서를 활용한 스킬 이펙트 연출 완성 Built character-synced skill effects with Niagara and Sequencer, combining effect systems, varied 3D resources, and carefully timed motion into a cohesive in-engine sequence. | Course | Coloso [Korea] | VIEW ↗ |
| 05 |  | 이펙트 스펙트럼 확장을 위한 나이아가라 레벨업 Expanded Niagara renderer skills across ribbons, meshes, and lights, while developing stronger control over trails, layered motion, and reusable effect materials. | Course | Coloso [Korea] | VIEW ↗ |
| 06 |  | DoubleCat's Realtime VFX Course Strengthened my approach to gameplay-scale effects, focusing on clear silhouettes, layered energy, and motion that keeps a strong focal point. | Course | Digital | VIEW ↗ |
Feel free to reach out and ask more about my education background.
// EXPERIENCE
Practical work experience
One and a half years of practical experience creating real-time visual effects, with attention to clear visuals, performance, and the needs of the project.
EXPLORE SELECTED WORK ↗// WORK EXPERIENCE LOG
| No. | Role | Timeframe | Time | Studio | Description |
|---|---|---|---|---|---|
| 01 | Lead VFX ArtistPromoted | Aug 2026 – Present | 2 months | Unannounced studio | Lead VFX Artist at a studio working on an unannounced project. More details to come. |
| 02 | Real-Time VFX Artist | May 2025 – Aug 2026 | 1 year4 months | Unannounced studio | Real-Time VFX Artist at a studio working on an unannounced project. More details to come. |
// LINKS
See my other pages.